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What Went Missing and What Got Found, by Fatima Shaik
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A love letter to the entertaining, unpredictable, and flawed characters who populated New Orleans before Hurricane Katrina, What Went Missing and What Got Found is a lyrical short story collection with undertones of the blues.
Set in a deep-rooted community, the book describes the inner lives of outsiders with humor and tenderness. There are religious zealots, day-dreaming musicians, failed romantics, and more a mute woman who believes that the photos of starving children in the newspaper are speaking to her, a man who mourns the loss of his true love while being accused of her murder, and an old couple who spends their last night together as flood waters rise around their bed.
The Short Story Review wrote about Shaik s previous adult book, The Mayor of New Orleans: Just Talking Jazz, The trio of novellas is set in and around New Orleans where the mixed-race Creoles speak their own dialect...Shaik writes with empathy and compassion about the lower rungs of New Orleans society. There are no villains here, nor is there the damp-palm voyeurism we have seen in other New Orleans-set stories. National Public Radio called her book a terrific, charging solo. Publishers Weekly, Booklist, Kirkus, and the San Francisco Chronicle also praised the collection.
Xavier University of Louisiana through its imprints -- the Xavier University Press, the Xavier Review and the Xavier Review Press -- began publishing in 1937 and has featured Ernest Gaines, Walker Percy, Andre Dubus, James Lee Burke, Nancy Lemann and others.
What Went Missing and What Got Found adds to the rich diversity of voices in contemporary fiction and to our understanding of Southern literature.
- Sales Rank: #1421358 in Books
- Published on: 2015-08-29
- Original language: English
- Number of items: 1
- Dimensions: 8.50" h x .51" w x 5.51" l, .63 pounds
- Binding: Paperback
- 242 pages
Review
The book is a lyrical, sympathetic look at the kind of people often overlooked in literary fiction. Quirky characters abound in a collection of stories that you will read nowhere else. Alternately laugh-out-loud funny and deeply moving, all are brought vividly to life, as is the great city of New Orleans. --Women's National Book Association newsletter The Bookwoman editor, Rhona Whitty
An engaging and riveting collection of short stories spanning pre and post-Katrina NOLA. Highly recommended reading. --Lit FanGirl, Goodreads
I can't wait to read the remaining stories in What Went Missing and What Got Found. I thoroughly enjoyed Bird Whistle. What I learned about each character from the author's creative narration left me wanting to go to the street their house is on and sit on the porch. Their realness was beautifully complemented by their magicalness. --Lucinda Gaddis, Goodreads
About the Author
Fatima Shaik is a member of PEN American Center and the author of books for adults and children. Publishers Weekly wrote "this native of New Orleans whose keen ear for dialogue and languid style help capture the special ambiance of Louisiana."
Her work has appeared in the Review of Contemporary Fiction, The Southern Review, Callaloo, The New York Times, In These Times and others. She is an Assistant Professor at Saint Peter's University and a former assistant editor of McGraw-Hill World News.
Most helpful customer reviews
1 of 1 people found the following review helpful.
Get Involved
By Story Circle Book Reviews
For decades I've been a visitor to the Crescent City, New Orleans, but always as exactly that—a visitor. I'd head for the French Quarter, the elegant Garden District, maybe down to the Mississippi to watch the boats. If I encountered a neighborhood, particularly one like the Ninth Ward depicted in What Went Missing and What Got Found, the object would be to move on through as quickly as possible. Don't get involved.
But when I stepped into this same neighborhood and met Achilles, Loutie, Sister Michael Patrick, Sweet Pea and the other characters created by Fatima Shaik, I quickly became part of the community. These folks became my friends. I cared about them and continue to now that the book is closed and on my shelf.
I first met them during ordinary times, just living their own dramas, and then—disaster!
Hurricane Katrina.
These lives changed as the storm changed and horrified the city, the nation and the world. What happened? The final stories look at how Katrina immediately changed each life in drastic and different ways.
This book is author Shaik's recognition of the tenth anniversary of this overwhelming natural disaster. As our memories of Katrina's horrors fade into the decades we should not, and for readers of this book cannot, forget the personal losses that are part of its entire story. Once again, stories are the true record of history.
I'm looking forward to my next New Orleans visit. I'll feel right at home, and I'm hoping I'll run into some of my new friends.
by Trilla Pando
for Story Circle Book Reviews
reviewing books by, for, and about women
0 of 0 people found the following review helpful.
Insider's Guide to a City Like No Other
By Diane
In the years since Hurricane Katrina, New Orleans has come to the attention of many writers and artists who have sought to investigate its problems and its charm, to portray and explain this city that is like no other in America.
That's fine I suppose.
But long before New Orleans hit the headlines, Fatima Shaik, whose family goes back generations in the city and who grew up in a shotgun house in the Seventh Ward, was soaking up the particular, unique flavor of the city. Without having to investigate she knows what people eat for breakfast (grits and toast), what to do when too much sweat makes fat people stick together (run for ice cubes), and how to describe people who have grown markedly peculiar, even for New Orleans ("teched," "He has a young mind," "A. Little. Slow.")
Most of all she has soaked up the language, one that is English, yes, but full of other mysterious stuff that creates its unique cadences as seen in the very beginning lines of "Charity Begins at Home," "The bench inside the front yard fence is a long bench. It's made of wood slats and ornery nails with everything painted over a thick green by hand. It runs across the driveway gate where the cars don't go out anymore. I've heard people call this bench wide. That always made Mama and Papa stiffen up from where they were sitting, center of the bench, hid in the shadows from the sun."
Sorry outsiders--one of which I must count myself--you will never get it right. Futhermore, you probably will never be able to understand, much less penetrate, the delicate, complicated web of relation and association that--judging from these pages--that holds everything together, come what may.
But I do advise anyone who really wants to get a glimpse of New Orleans to read and marvel at this wonderful collection.
The early stories reflect, I suspect, observations Shaik made as a child: Mama and Papa on the porch, tended by their A. Little. Slow daughter Loutie; "Teched" Thomas whose strangely literate graffiti puzzle passersby, the weary nun who, faith renewed, follows her student to dance in a thunder storm.
The later stories have Hurricane Katrina in mind, my favorite of which is the "The Hotels" with its three intertwining stories of people living--or sometimes not--through those terrible hours: A pair of old lovers tries to ride out the storm at home. Newly weds--he's local; she's not--get a crash course on what separates them. A family finds itself in the hell of the Super Dome, kept in like criminals by armed National Guard.
Of the three, my favorite is the story of the long-married couple, Sweet Pea and Davis, a love story as a beautiful tragic as anything devised by Shakespeare. These two have already been through a lot together. For one thing, Davis in his younger years took advantage of his opportunities, many in the form of white women staying at New Orleans' French Quarter hotels, all "dying for a black man." In those days he would look at his wife and see in her eye: "OK fool, I know you are lying and I just about hate you." But in age, Davis regrets what he did, wishing he had understood more about true happiness, wishing he had spent more time with those who loved him: "Funny," he muses, "how wildness ain't enough."
Davis and Sweet Pea have been through this storm and then several put on by Mother Nature. Once they followed orders to evacuate, only to eat up all their provisions still stuck on the highway and finally turn back.
In the confusion of Katrina they end up together at home in their bed, hoping for the best. As Sweet Pea says--in what I take to be a philosophical underpinning of the place -- "Living is not really for us. We just passing time. Might as well spend it one way as another. Make yourself happy."
And so they are happy for now, spooned up together. Then the water suddenly rises, is in the bed with them, so that Davis hurriedly ties their clothes together, hoping that the storm cannot do what life itself has been unable to achieve: cause them to be swept apart.
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